Man Who Knew Too Much Hitchcock
| The Man Who Knew Too Much | |
|---|---|
 Theatrical release poster | |
| Directed past | Alfred Hitchcock |
| Screenplay past | John Michael Hayes |
| Story by | Charles Bennett D. B. Wyndham-Lewis |
| Produced by | Alfred Hitchcock |
| Starring | James Stewart Doris Solar day Brenda de Banzie Bernard Miles Christopher Olsen Daniel Gélin Reggie Nalder |
| Cinematography | Robert Burks |
| Edited by | George Tomasini |
| Music by | Bernard Herrmann |
| Product | Filwite Productions Inc. |
| Distributed past | Paramount Pictures[N one] |
| Release date |
|
| Running time | 120 minutes |
| Country | United States |
| Language | English language |
| Budget | $one.2 million |
| Box office | $eleven.3 million[4] |
The Man Who Knew Too Much is a 1956 American suspense thriller pic directed and produced by Alfred Hitchcock, starring James Stewart and Doris Twenty-four hour period. The picture show is Hitchcock's second film using this title, following his own 1934 film of the same name but featuring a significantly unlike plot and script.
In the book-length interview Hitchcock/Truffaut (1967), in response to fellow filmmaker François Truffaut's assertion that aspects of the remake were past far superior, Hitchcock replied "Permit's say the first version is the piece of work of a talented amateur and the second was made by a professional."[5] [6]
The film won an Academy Award for Best Original Song for "Que Sera, Sera (Whatever Will Be, Will Exist)", sung past Doris Twenty-four hours. It premiered at the 1956 Cannes Pic Festival on April 29.[seven]
Plot [edit]
An American family unit – Dr. Benjamin "Ben" McKenna, his wife, pop vocaliser Josephine "Jo" Conway McKenna, and their son Henry "Hank" McKenna – are vacationing in French Morocco. Traveling from Casablanca to Marrakesh, they meet Frenchman Louis Bernard. He seems friendly, just Jo is suspicious of his many questions and evasive answers.
Bernard offers to take the McKennas to dinner, but cancels when a suspicious-looking man knocks at the McKennas' hotel-room door. At a eatery, the McKennas meet friendly English couple Lucy and Edward Drayton. The McKennas are surprised to see Bernard arrive and sit elsewhere, apparently ignoring them.
The side by side day, visiting a Moroccan market with the Draytons, the McKennas see a man chased by police. After being stabbed in the back, the man approaches Ben, who discovers he is Bernard in disguise. The dying Bernard whispers that a strange statesman will be assassinated in London and that Ben must tell the authorities well-nigh "Ambrose Chappell". Lucy returns Hank to the hotel while Ben, Jo and Edward get to a police station for questioning about Bernard's death. An officeholder explains that Bernard was a French Intelligence amanuensis.
Ben receives a phone call at the police station; Hank was kidnapped but volition not be harmed if the McKennas say nothing to the law nigh Bernard's warning. Knowing Hank was left in Lucy's care, Ben dispatches Edward to locate him. When Ben and Jo return to the hotel, they discover Edward checked out. Ben realizes the Draytons are the couple Bernard was looking for and are involved in Hank'south abduction. When he learns the Draytons are from London, he decides he and Jo should go there and endeavor to find them through Ambrose Chappell.
In London, Scotland Thou's Inspector Buchanan tells Jo and Ben that Bernard was in Kingdom of morocco to uncover an assassination plot; they should contact him if they hear from the kidnappers. Leaving friends in their hotel suite, the McKennas search for a person named Ambrose Chappell. Jo realizes that "Ambrose Chapel" is a place, and the McKennas arrive at the chapel to find Edward leading a service. Jo leaves the chapel to call the police force. After Edward sends his parishioners habitation, Ben confronts him and is knocked out and locked within. Jo arrives with police force, but they cannot enter without a warrant.
Jo learns that Buchanan has gone to a concert at Royal Albert Hall, and asks the constabulary to take her in that location. Once the police and Jo leave, the Draytons have Hank to a foreign embassy. In the Royal Albert Hall antechamber, Jo sees the man who came to her door in Morocco. When he threatens to harm Hank if she interferes, she realizes he is the assassin sent to kill the strange prime minister.
Ben escapes from the chapel through its bell belfry and reaches the Purple Albert Hall, where Jo points out the assassin. Ben searches the balcony boxes for the killer, who is waiting for a cymbal crash to mask his gunshot. Just earlier the cymbals crash, Jo screams and the assassin misses his mark, only wounding his target. Ben struggles with the would-be killer, who falls to his death.
Last that Hank is probable to be at the embassy, but that information technology is sovereign and exempt from an investigation, the McKennas secure an invitation from the grateful prime minister. The ambassador organized the plot to impale the prime minister, and blames the failed attempt on the Draytons. Knowing that Hank can bear witness against them, he orders the Draytons to impale the boy.
The prime number government minister asks Jo to sing. She loudly performs "Que Sera, Sera (Any Will Be, Will Be)", so that Hank will hear her. Lucy, who is guarding Hank while Edward prepares to murder him, is distressed at the prospect of killing a child, and then she encourages the boy to whistle along with the song. Ben finds Hank. Edward tries escaping with them at gunpoint, but when Ben hits him, he falls down the stairs to his death.
The McKennas render to their hotel suite. Ben explains to their now-sleeping friends, "I'chiliad sorry we were gone and so long, just nosotros had to get over and pick up Hank."
Cast [edit]
- James Stewart as Dr. Benjamin "Ben" McKenna
- Doris Day every bit Josephine "Jo" Conway McKenna
- Bernard Miles as Edward Drayton
- Brenda de Banzie as Lucy Drayton
- Christopher Olsen every bit Henry "Hank" McKenna
- Ralph Truman equally Inspector Buchanan
- Daniel Gélin equally Louis Bernard
- Mogens Wieth equally Ambassador
- Alan Mowbray every bit Val Parnell
- Hillary Brooke as Jan Peterson
- Reggie Nalder as Rien
- Richard Wattis as Banana Director
- Noel Willman as Woburn
- Alix Talton as Helen Parnell
- Yves Brainville equally Police Inspector in Marrakech
- Carolyn Jones every bit Cindy Fontaine
- John Barrard as Taxidermist (uncredited)[8]
Alfred Hitchcock's cameo is a signature occurrence in most of his films. In The Man Who Knew As well Much he can be seen 25:42 into the film, in the lower left corner, watching acrobats in the Moroccan market, with his back to the photographic camera, wearing a lite gray suit, and putting his easily into his pockets, merely before the spy is killed. Bernard Herrmann, who wrote the film score, cameos every bit the conductor at Royal Albert Hall, the only fourth dimension Herrmann appeared on-camera in a film.[9]
Product [edit]
Alfred Hitchcock first considered an American remake of The Man Who Knew Also Much in 1941, but but brought dorsum the thought in 1956 to make a film that would fulfill a contractual need from Paramount Pictures. The studio agreed it was a picture show that could exist well-adjusted to the new decade. The Royal Albert Hall sequence drew some inspiration from H.Thousand. Bateman's comic "The One-Note Man", which followed the daily life of a musician who plays only one notation in a symphony, like to the cymbal player in the motion-picture show.[10]
Writing [edit]
Screenwriter John Michael Hayes was hired on the condition that he would not watch the early version nor read its script, with all the plot details coming from a briefing with Hitchcock.[11] : 167 Only the opening scenes of the script were ready when filming began, and Hayes had to transport the subsequent script pages by airmail as he finished them.[11] : 187–191
Soundtrack [edit]
Hitchcock's frequent composer Bernard Herrmann wrote the "background" film score; however, the performance of Arthur Benjamin's Storm Clouds Cantata, conducted by Herrmann, is used as source music for the climax of the motion picture. Herrmann was given the option of composing a new cantata to be performed during the film'southward climax. All the same, he found Arthur Benjamin's cantata Storm Clouds from the original 1934 motion-picture show to exist so well suited to the motion-picture show that he declined, although he did expand the orchestration, and inserted several repeats to make the sequence longer. Herrmann tin can exist seen conducting the London Symphony Orchestra with mezzo-soprano Barbara Howitt and chorus during the Royal Albert Hall scenes. The sequence in the Majestic Albert Hall runs for 12 minutes without any dialogue from the kickoff of Storm Clouds Cantata until the climax when Doris Day's character screams.[12]
Doris Day's graphic symbol in the picture show is a well-known, now retired, professional singer, and at two points in the movie she sings the Livingston and Evans vocal "Que Sera, Sera (Whatsoever Will Be, Will Exist)", a operation which won the 1956 University Honor for Best Original Song. Twenty-four hour period's recording of the song reached number 2 on the U.s. pop charts.[13] and number one in the UK.[14]
Reception [edit]
Reviews for the movie were mostly positive, although some critics expressed a preference for the 1934 original. Bosley Crowther of The New York Times wrote, "James Stewart tops his job in 'Rear Window' as the man who knows too much, and Doris Day is surprisingly constructive as the mother who is frantic almost her kid ... Even in mammoth VistaVision, the old Hitchcock thriller-stuff has dial."[fifteen] Variety wrote that while Hitchcock draws "the footage out a bit long at 119 minutes, he nevertheless keeps suspense working at all times and gets strong performances from the 2 stars and other cast members."[16] Harrison's Reports called the film a "highly exciting and entertaining suspense thriller" that "grips the audience from start to finish."[17] Richard Fifty. Coe of The Washington Postal service besides liked the film, calling it "a dandy of its pop kind" if "a wee bit too leisurely."[18] John McCarten of The New Yorker wrote in a negative review that while the remake was "unquestionably bigger and shinier than the original, information technology doesn't move along with anything like the agility of its predecessor. At that place can be no incertitude, of course, that Mr. Hitchcock at in one case was a chief of celluloid suspense, just increasingly of belatedly he has been turning out movies that are too overweight to indulge in the tricks of his salad days."[nineteen] The Monthly Film Bulletin wrote: "Although a quite entertaining thriller, with some characteristically shrewd and caustic Hitchcock touches, it is probable to disappoint devotees of the beginning film. It lacks the earlier stride and excitement; the peculiarly English amuse of the original has been exchanged for a vague VistaVision and Technicolor cosmopolitanism; the dentist episode and the siege climax are unhappily missing."[20] C. A. Lejeune of The Observer wrote that the plot had "a trend to meander" with "jokes that may have looked more humorous in typescript," last that the film was "strong" as long as it stuck to the main plot, "But the first 'Man Who Knew Too Much' was stronger in every way."[21]
The film was a commercial success. Filmed on a budget of $i.2 million, information technology grossed $11,333,333 at the domestic box office,[4] earning $iv.one million in The states theatrical rentals.[22]
On the review aggregator Rotten Tomatoes, the film has an approval score of 87% based on 39 reviews, with an average rating of 7.fourscore/10. The site's consensus reads, "Remaking his own 1934 film, Hitchcock imbues The Man Who Knew As well Much with picturesque locales and international intrigue, and is helped by a brilliantly befuddled performance from James Stewart."[23]
In 2004, American Film Establish included the song "Que Sera, Sera (Whatever Will Be, Will Exist)" equally No. 48 in AFI's 100 Years...100 Songs.[24]
Dwelling house media [edit]
The Man Who Knew Also Much was kept out of re-release by Hitchcock until 1983 when it was acquired by Universal Pictures.[25] [26] The moving-picture show has been released on abode video by Universal Pictures Abode Entertainment in VHS, Betamax, Laserdisc, DVD and Blu-ray[27] formats. The 2000 DVD has a documentary on the making of the pic, including interviews with Hitchcock'south daughter Patricia Hitchcock and members of the production crew.
See likewise [edit]
- List of American films of 1956
- Djemaa el Fna – Marrakesh market place
- "Mr. Yin Presents" – an episode of Psych based completely on Alfred Hitchcock films
Notes [edit]
- ^ After the film'south release, Paramount transferred the distribution rights to Hitchcock'due south estate, where they were caused past Universal Pictures in 1983.[1] [2]
References [edit]
- ^ McGilligan, Patrick (2003). Alfred Hitchcock: A Life in Darkness and Light. Wiley. p. 653.
- ^ Rossen, Jake (February 5, 2016). "When Hitchcock Banned Audiences From Seeing His Movies". Mental Floss . Retrieved September 9, 2020.
- ^ "The Homo Who Knew Too Much - Details". AFI Catalog of Feature Films . Retrieved June 26, 2018.
- ^ a b Box Office Data for The Homo Who Knew As well Much. The Numbers. Retrieved August 16, 2013.
- ^ Coe, Jonathan. "The Human Who Knew Too Much". Sight and Sound. BFI. Archived from the original on Baronial 3, 2012. Retrieved April 13, 2012.
- ^ Truffaut, Francois (October 2, 1985). Hitchcock: A Definitive Study of Alfred Hitchcock. Simon & Schuster. ISBN9780671604295.
- ^ "Festival de Cannes: The Human being Who Knew As well Much". festival-cannes.com . Retrieved February iv, 2009.
- ^ Acting Bandage List for The Homo Who Knew Too Much - The New York Times
- ^ Ben Mankiewicz. The Man Who Knew As well Much (Television). Turner Archetype Movies. Retrieved April fifteen, 2021.
- ^ Hitchcock/Truffaut, p. 92
- ^ a b DeRosa, Steven. Writing with Hitchcock. The Collaboration of Alfred Hitchcock and John Michael Hayes. Faber and Faber, 2001.
- ^ "Benjamin, A: The Storm Clouds Cantata from The Man Who Knew Also Much". prestoclassical.co.u.k..
- ^ Whitburn (1987), p. 87
- ^ "everyHit.com – United kingdom Top xl Hit Database". everyHit.com. June 1956. Retrieved August 25, 2008.
- ^ Crowther, Bosley (May 17, 1956). "Screen: At the Old Stand". The New York Times: 37.
- ^ "The Human Who Knew Too Much". Variety: six. May ii, 1956.
- ^ "'The Man Who Knew Too Much' with James Stewart and Doris 24-hour interval". Harrison's Reports: seventy. May 5, 1956.
- ^ Coe, Richard L. (May 24, 1956). "Hitchcock Has Another Hitting". The Washington Post. p. 26.
- ^ McCarten, John (May 26, 1956). "The Electric current Movie theatre". The New Yorker. p. 119.
- ^ "The Man Who Knew Too Much". The Monthly Pic Message. 23 (269): 73. June 1956.
- ^ Lejeune, C.A. (June 24, 1956). "Practised Hands". The Observer. p. 9.
- ^ "The Elevation Box-Office Hits of 1956", Variety. January ii, 1957.
- ^ "The Man Who Knew Too Much". Rotten Tomatoes. Retrieved May iii, 2022.
- ^ "AFI's 100 Years...100 Songs" (PDF). American Flick Found. 2004. Retrieved Baronial 26, 2016.
- ^ "The Man Who Knew Likewise Much (1956) - Notes - TCM.com". Turner Classic Movies.
- ^ Wells, Jeffrey (May 9, 1993). "The Plot to Restore 'Vertigo'". Los Angeles Times . Retrieved September 9, 2020.
- ^ Kenneth Chocolate-brown. "The Man Who Knew As well Much Blu-ray". Blu-ray.com.
External links [edit]
- The Human Who Knew Besides Much at IMDb
- The Man Who Knew Besides Much at AllMovie
- The Man Who Knew Too Much at the TCM Pic Database
- The Man Who Knew Too Much at the American Film Institute Itemize
- The Human Who Knew As well Much at Rotten Tomatoes
- Movie stills
- Review at Radiotimes.com
- Alfred Hitchcock Wiki:The Human being Who Knew Too Much (1956)
- Film locations
Source: https://en.wikipedia.org/wiki/The_Man_Who_Knew_Too_Much_(1956_film)#:~:text=The%20Man%20Who%20Knew%20Too%20Much%20is%20a%201956%20American,significantly%20different%20plot%20and%20script.
Posted by: tuttlementir.blogspot.com
0 Response to "Man Who Knew Too Much Hitchcock"
Post a Comment